Essays
Like Humbert, we replace Lolita’s inaccessible parts with stories; stories about what kind of girl she is, her boldness, and her frankness, until there are enough words to satisfy the empty spaces.
by Annette Lepique
Nation-building, colonialism, and conceptions of home
by Maddie Becker
Sex is commerce; the commerce part is what makes it hot
by Charlotte Anderson
Kubrick’s appreciation for fashion and design transform his genius masterwork into far more than a futuristic drama.
by Carlie Houser
Created by German director Florian Henckel von Donnersmarck, The Lives of Others melds an in-depth examination of governmental surveillance with Jung’s theory of the persona
by Olivia Giovetti
Beyond noir tendencies to position her character within Hollywood notions of death and desire, Lana’s shifting portrayal of “hyper” femininity throughout The Postman Always Rings Twice reveals a hidden psychology that is nothing if not multidimensional
by Amėl Meghraoua
In Burton’s fantasy, static objects animate, the shadow world and the “real” world collide, and the limits between life and death blur
by Simona Luciani
Set in 14th-Century Japan during a period of civil war, “Onibaba” draws as much from the tradition of Noh Theater as it does from its immediate political context, the aftermath of the atomic bombings of Hiroshima and Nagasaki
In his groundbreaking horror film, The Shining, Kubrick wields a limited yet suggestive color palette to parody the very foundations of American patriotism
A testament to the potentially destructive power of narrative and the dark outcomes that can occur when truth and myth intermingle