Looks
Coco Chanel’s impeccable sense of tailoring and love for tweed come to the forefront in this cinema classic
by The Editors of Fashion x Film
Dario Argento’s horror classic pairs ultra-feminine details with a blood-red lighting scheme, creating a sense of claustrophobic enclosure that is uniquely terrifying
The Runaways: a band, a style, and a way of being
Pursuit and desperation meet excess and luxury
“Death Becomes Her” recasts Hollywood glamour for the modern age, doing so with biting wit
’70s slacker style, distilled
In sequins, Rothko-esque colors, and modish tailoring, “Blow Up” captures an era at its end
“Belle de Jour” poses a question that plagues the worlds of art and fashion, alike: Where does pain end and pleasure begin?
Dial “M” for “Man, do I look good in this sweater.” Stanley Kubrick made oddly prescient sartorial decisions in this career-defining work
“Anybody interested in grabbing a couple of burgers and hittin’ the cemetery?”