“He likes no one and he wants everybody to love him”

Federico Fellini addresses desire, sexuality, and modernity in his famously controversial, autobiographical comedy — initially conceived as a collaboration with Ingmar Bergman

2016’s answer to the ’60s b-movie, complete with high platforms, thin gauzy dresses, and bright red lipstick — all with a witchy flair

A study in gauche, absurdist beauty, courtesy of David Lynch

Red furs, tights worn as pants, and little black shift dresses characterize this early-2000s drama exploring the peculiarities of growing up in New York City

Coco Chanel’s impeccable sense of tailoring and love for tweed come to the forefront in this cinema classic

Dario Argento’s horror classic pairs ultra-feminine details with a blood-red lighting scheme, creating a sense of claustrophobic enclosure that is uniquely terrifying

The Runaways: a band, a style, and a way of being

Pursuit and desperation meet excess and luxury

“Death Becomes Her” recasts Hollywood glamour for the modern age, doing so with biting wit